- The Activist Museum Award
- Addressing the museum attendance and benefit gap
- Articulate
- Birmingham Museum Trust Vision
- Books connect 2
- Building inclusive museums
- Buried in the footnotes
- Cabinet of Curiosities
- A Catalyst for Change
- Advancing equity: Challenging embedded whiteness in London Museum
- The Cinematic Musée Imaginaire of spatial cultural differences [CineMuseSpace]
- Contested Desires Constructive Dialogues
- Cultural activity within historic houses
- Developing learning advocates in the East Midlands
- Developing learning advocates in the North West
- Developing new audiences and promoting social inclusion
- Disorder, dissent and disruption
- Encountering the Unexpected
- Engage, learn, achieve
- Engaging archives with Inspiring Learning for All
- Engaging the City
- Cultural value of engaging with museums
- Cultural value of engaging with museums
- EuNaMus
- Evaluating Creativity
- Everyone Welcome 2019-2021
- Everywhere and Nowhere
- Exceptional & Extraordinary
- EXILE at Kingston Lacy
- Generic learning outcomes
- girl.boy.child
- Growing social role of botanic gardens
- HumanKind
- Impact of generic learning outcomes
- Imperial War Museum North
- Including Museums
- Inspiration, identity, learning: the value of museums
- Inspiration, identity, learning: the value of museums, second study
- Leaders in Co-creation?
- Learning impact research project
- Learning through Culture
- The Madonna of the pinks
- Making Meaning in Art Museums 1
- Making Meaning in Art Museums 2
- Mapping the change phase 2
- Mindful Museum
- Mirror
- Museu do Samba, Brazil
- Museums and an ageing population
- Museums and social inclusion: the GLLAM report
- Museums health and wellbeing
- Co-production Framework at National Museums Liverpool
- New Walk Museum vision
- Not for the likes of you
- Open House
- Open minds
- Participatory practices at the Science Museum
- Permissible Beauty
- Prejudice & Pride: exploring LGBTQ lives at the National Trust
- Prisoners, Punishment and Torture
- Redefining the Role of Botanic Gardens
- Research network to advance museum ethics
- Researching Learning in Museums and Galleries 1990-1999
- Rethinking Disability Representation
- shOUT
- Small museums and social inclusion
- Stories of a Different Kind
- Supporting Decolonial Futures
- Talking statues
- TCS project
- The Museum as a Space of Social Care
- The Queer Heritage and Collections Network
- Their Past Your Future 2
- Seeing the museum through the visitors’ eyes
- Trans-Inclusive Culture
- Museums and the Transgender Tipping Point
- Unfinished portrait at Felbrigg Hall
- “In the past we would just be invisible”
- What did you learn at the museum today?
- What did you learn at the museum today? Second study
- Return to the start of the menu
- RCMG
-
Research archive
- The Activist Museum Award
- Addressing the museum attendance and benefit gap
- Articulate
- Birmingham Museum Trust Vision
- Books connect 2
- Building inclusive museums
- Buried in the footnotes
- Cabinet of Curiosities
- A Catalyst for Change
- Advancing equity: Challenging embedded whiteness in London Museum
- The Cinematic Musée Imaginaire of spatial cultural differences [CineMuseSpace]
- Contested Desires Constructive Dialogues
- Cultural activity within historic houses
- Developing learning advocates in the East Midlands
- Developing learning advocates in the North West
- Developing new audiences and promoting social inclusion
- Disorder, dissent and disruption
- Encountering the Unexpected
- Engage, learn, achieve
- Engaging archives with Inspiring Learning for All
- Engaging the City
- Cultural value of engaging with museums
- Cultural value of engaging with museums
- EuNaMus
- Evaluating Creativity
- Everyone Welcome 2019-2021
- Everywhere and Nowhere
- Exceptional & Extraordinary
- EXILE at Kingston Lacy
- Generic learning outcomes
- girl.boy.child
- Growing social role of botanic gardens
- HumanKind
- Impact of generic learning outcomes
- Imperial War Museum North
- Including Museums
- Inspiration, identity, learning: the value of museums
- Inspiration, identity, learning: the value of museums, second study
- Leaders in Co-creation?
- Learning impact research project
- Learning through Culture
- The Madonna of the pinks
- Making Meaning in Art Museums 1
- Making Meaning in Art Museums 2
- Mapping the change phase 2
- Mindful Museum
- Mirror
- Museu do Samba, Brazil
- Museums and an ageing population
- Museums and social inclusion: the GLLAM report
- Museums health and wellbeing
- Co-production Framework at National Museums Liverpool
- New Walk Museum vision
- Not for the likes of you
- Open House
- Open minds
- Participatory practices at the Science Museum
- Permissible Beauty
- Prejudice & Pride: exploring LGBTQ lives at the National Trust
- Prisoners, Punishment and Torture
- Redefining the Role of Botanic Gardens
- Research network to advance museum ethics
- Researching Learning in Museums and Galleries 1990-1999
- Rethinking Disability Representation
- shOUT
- Small museums and social inclusion
- Stories of a Different Kind
- Supporting Decolonial Futures
- Talking statues
- TCS project
- The Museum as a Space of Social Care
- The Queer Heritage and Collections Network
- Their Past Your Future 2
- Seeing the museum through the visitors’ eyes
- Trans-Inclusive Culture
- Museums and the Transgender Tipping Point
- Unfinished portrait at Felbrigg Hall
- “In the past we would just be invisible”
- What did you learn at the museum today?
- What did you learn at the museum today? Second study
Research Centre for Museums and Galleries (RCMG)
What did you learn at the museum today?
In 2003, RCMG was commissioned by Museums, Libraries and Archives Council (MLA) to evaluate the pilot education programmes of the three Phase 1 Hubs and support MLA in demonstrating the impact that Renaissance in the Regions investment would have on users.
Background
The Renaissance in the Regions Report (2001) recommended a new integrated framework for the museum sector in order to promote excellence and develop services, particularly the development and improvement of the learning and education potential of museums. MLA and the Department for Culture, Media and Sport (DCMS) invested significant funds in the Renaissance in the Regions programme to deliver a comprehensive and integrated service to schools via regional museum ‘Hubs.’
Aims and objectives
What did you learn at the museum today? was an innovative research study and was the first national, large-scale study to focus on the learning outcomes of school visits to museums across three regions of England. Multiple research methods were used, both quantitative and qualitative, and were framed using the concept of the Generic Learning Outcomes. Over 1,000 teachers and over 20,000 pupils gave their views on museums, which established a baseline for future research.
The specific objectives of the research were to:- Provide baseline information about the activities of the Phase 1 Hubs run over the summer 2003, showing the range and type of activities and the numbers of school-aged children and accompanying adults reached
- Establish how many pupils and teachers visited Phase 1 Hubs between September 1st and October 31st 2003 and assess how this number differs from the number of visits undertaken in the same time period in 2002
- Identify from quantitative and qualitative research with teachers the learning that has taken place and analyse this against the generic learning outcomes and the outcomes posed by DfES
- Relate the teachers’ perceptions of their pupils’ learning to the perceptions of the pupils themselves
Key findings
What did you learn at the museum today? showed that an impressive increase occurred in school visits to museums as a result of the Renaissance in the Regions investment. In addition, a surprisingly high number of these schools were located in some of the most deprived areas of England.
The research found that museums are seen by pupils of all ages as good places to learn in a way different from school, and teachers see museums as places where the enjoyment and inspiration experienced by their pupils acts as a pathway to learning. Enjoyment, Inspiration, Creativity was the learning outcome that teachers value most highly; through the enjoyment, engagement and surprise that pupils experience during their museum visit, they are inspired to learn more, to broaden their aspirations and to feel more confident about themselves as learners.
However, teachers do not always find using museums easy. There is a great deal of work involved in taking pupils out of school – there are high levels of administration and a degree of risk is perceived. In addition, although teachers are very satisfied with the educational provision made by museums especially for them, they frequently found that the museum as a whole was not welcoming or easy to use.