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French Language (Beginners)
https://le.ac.uk/modules/2026/fr1020-fr1021
Module code: FR1020+FR1021 Our language modules for Beginners are intensive language courses which bring you up to the A2 level of the Common European Framework for Languages (CEFR) in a year.
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PhD students
https://le.ac.uk/film/people/phd-students
Film Studies PhD students
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Am I a mature student?
https://le.ac.uk/study/undergraduates/mature-students/am-i-a-mature-student
Find out if you’re a mature student. You will be if you are applying for one of our undergraduate degrees and you will be 21 or older when you start your course.
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Induction
https://le.ac.uk/study/welcome/first-weeks/induction
ID check and visa checkpoint information for new students starting at the University of Leicester.
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J
https://le.ac.uk/library/search-collections/databases-az/j
Jacoby Online Collection of ancient Greek historic texts that were lost (except for fragments found in other sources).
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What we collect
https://le.ac.uk/library/special-collections/enhance/what-we-collect
How we collect and what we are looking to add to the University of Leicester Archives and Special Collections.
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Jamie Brodella
https://le.ac.uk/about/history/obituaries/2024/jamie-brodella
It is with heavy hearts that we announce the passing of Jamie Brodella, a cherished member of our community and the Team Leader for Portering and Cleaning Services. Jamie passed away peacefully leaving behind a legacy of dedication, kindness, and progressive leadership.
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University Shuttle Bus
https://le.ac.uk/study/undergraduates/accommodation/travel/university-shuttle-bus
Our regular bus service between The Village and the University of Leicester Campus (via Brookfield School of Business) is the free University Shuttle Bus, run by the University and operated by Centrebus.
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Wayne Jarvis BA MA MCIfA
https://le.ac.uk/ulas/about/our-team/wayne-jarvis
Learn more about our Project Officer of ULAS, Wayne Jarvis.
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Nineteenth Century British Art Reassessed
https://le.ac.uk/modules/2024/ha3025
Module code: HA3025 British art between 1800-1900 has often been the victim of critical and art-historical scorn, often seen as producing ‘old-fashioned’ or ‘prosaic’ art.