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Entertainment Technology and Design
https://le.ac.uk/modules/2026/co2113
Module code: CO2113 Extended Reality (XR) is an umbrella term that refers to a broad spectrum of immersive technologies that combine the physical and virtual worlds. It includes a range of technologies that merge or extend reality to create new experiences for users.
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April 2025
https://le.ac.uk/about/who-we-are/governance/almanac/2024-2025/april
Meetings Other 1 Planning Round Meeting (all day) 2 Planning Round Meeting (all day) Departmental...
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Linear Algebra 2
https://le.ac.uk/modules/2025/ma1116
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Linear Algebra 2
https://le.ac.uk/modules/2026/ma1116
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Senate
https://le.ac.uk/about/who-we-are/governance/senate
Senate is concerned with directing and regulating the academic life of the University, as the University’s principal ‘academic board’ and thereby custodian of the institution’s academic integrity.
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What we collect
https://le.ac.uk/library/special-collections/enhance/what-we-collect
How we collect and what we are looking to add to the University of Leicester Archives and Special Collections.
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Key financial information
https://le.ac.uk/about/who-we-are/professional-services/finance/key-info
Key financial information about the University of Leicester, including our legal and charity status, financial details, banking arrangements, and management and governance.
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Director of Human Resources
https://le.ac.uk/about/who-we-are/senior-management/professional-services-executive-group/hr-director
Find out more about our Director of HR. This role is responsible for leading the development and implementation of the Human Resources Strategy and for the creation and development of the Organisational Development plan for the University.
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Registrar and Secretary
https://le.ac.uk/about/who-we-are/senior-management/executive-board/registrar
Find out more about our Registrar and Secretary - head of the University’s academic administration.
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Nineteenth Century British Art Reassessed
https://le.ac.uk/modules/2024/ha3025
Module code: HA3025 British art between 1800-1900 has often been the victim of critical and art-historical scorn, often seen as producing ‘old-fashioned’ or ‘prosaic’ art.