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14394 results for: ‘museum studies’

  • Writing the Magic of the Criminal Corpse. By Owen Davies

    Posted by Emma Battell Lowman in The Power of the Criminal Corpse on November 2, 2015   It is that time in a major research project when the final outputs are being worked on.

  • The Plight of the Mandatory Volunteer Worker

    Posted by Vanessa Beck in School of Business Blog on June 3, 2015 Lecturer in Employment Studies at the School, Vanessa Beck , considers the economic implications of the legal expectations placed on the contemporary unemployed The social security and support infrastructure...

  • John and Lucille van Geest biomarker facility

    The John and Lucille van Geest Biomarker facility was established in 2013 thanks to a generous £2.5 million donation from the John and Lucille van Geest Foundation.

  • Subject taster videos

    Anglo Saxons Anglo Saxon Five things you probably don’t know about the Anglo-Saxons Nuclear weapons Nuclear Weapons Five things you probably didn’t know about nuclear weapons Landscape History Landscape History Landscape History The bed sheets trial Bed Sheets Trial The bed...

  • Analysing Media Discourse

    Module code: SY3083 Language is central to the way the media operate. Whether in written, spoken or graphical form, the linguistic and interactional properties of communication underpin all contemporary media genres.

  • VC welcomes back students with video poem

    Over the next couple of weeks, students will be arriving back in Leicester to continue their academic studies and enjoy some of the best years of their lives.

  • Screen Affect

    Module code: HA3433 The concept of affect understood as pre-subjective and relational force has become a significant theoretical tool in understanding film, video, televisual images and time-based contemporary art.

  • Sigmund Wagner-Tsukamoto

    The academic profile of Dr Sigmund Wagner tsukamoto, Associate Professor at University of Leicester

  • Screen Affect

    Module code: HA3433 The concept of affect understood as pre-subjective and relational force has become a significant theoretical tool in understanding film, video, televisual images and time-based contemporary art.

  • Dissertation

    Module code: TS3007 In this module, you will complete either a research or a translation project of your own choice. An introductory seminar will be given to discuss the potential topics for projects in Translation Studies and the steps of conducting such a project.

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