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14396 results for: ‘museum studies’

  • Analysing Media Discourse

    Module code: SY3083 Language is central to the way the media operate. Whether in written, spoken or graphical form, the linguistic and interactional properties of communication underpin all contemporary media genres.

  • VC welcomes back students with video poem

    Over the next couple of weeks, students will be arriving back in Leicester to continue their academic studies and enjoy some of the best years of their lives.

  • Nigeria

    We welcome students from Nigeria. Find out about entry requirements, the Nigerian student community and other country-specific information.

  • Ghana

    We welcome students from Ghana. Find out about entry requirements, the Ghanaian student community and other country-specific information.

  • Screen Affect

    Module code: HA3433 The concept of affect understood as pre-subjective and relational force has become a significant theoretical tool in understanding film, video, televisual images and time-based contemporary art.

  • Sigmund Wagner-Tsukamoto

    The academic profile of Dr Sigmund Wagner tsukamoto, Associate Professor at University of Leicester

  • Screen Affect

    Module code: HA3433 The concept of affect understood as pre-subjective and relational force has become a significant theoretical tool in understanding film, video, televisual images and time-based contemporary art.

  • Dissertation

    Module code: TS3007 In this module, you will complete either a research or a translation project of your own choice. An introductory seminar will be given to discuss the potential topics for projects in Translation Studies and the steps of conducting such a project.

  • Cities of the Global South

    Module code: GY3412 For the first time in human history, more than half of the world’s population now live in cities, including more than one billion people in the self-built urban peripheries of the Global South.

  • Screen Affect

    Module code: HA3433 The concept of affect understood as pre-subjective and relational force has become a significant theoretical tool in understanding film, video, televisual images and time-based contemporary art.

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