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MS 210, Ethiopic manuscript
https://staffblogs.le.ac.uk/specialcollections/2018/06/08/the-beast-in-me-guest-post-by-armand-de-filippo-museum-studies/dav-2/
6. MS 210, Ethiopic manuscript. A decorated border and rubrics helped the reader to navigate the book, marking the start of a new section of text. (Red ink was often used for this purpose).
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Immersive experience installed in the David Wilson Library, May 2018
https://staffblogs.le.ac.uk/specialcollections/2018/06/08/the-beast-in-me-guest-post-by-armand-de-filippo-museum-studies/sdr/
Immersive experience installed in the David Wilson Library, May 2018
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Contents of display case draw
https://staffblogs.le.ac.uk/specialcollections/2018/06/08/the-beast-in-me-guest-post-by-armand-de-filippo-museum-studies/dav-4/
9. Scrapers like this were used to remove hair and fat from the animal skin used to make parchment. The scents of Frankincense, Myrrh and Lubanja are sometimes retained within the folios of a manuscript and can still be smelt if we are lucky enough to get close enough.
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MS 210, Ethiopic manuscript, front cover
https://staffblogs.le.ac.uk/specialcollections/2018/06/08/the-beast-in-me-guest-post-by-armand-de-filippo-museum-studies/dav-8/
3. MS 210, Ethiopic manuscript, front cover. The book board is only partially covered in tanned leather and has been repaired. The nature of the repair suggests it may have been made 'on the fly'.
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Parchment used in immersive experience
https://staffblogs.le.ac.uk/specialcollections/2018/06/08/the-beast-in-me-guest-post-by-armand-de-filippo-museum-studies/dav-3/
10. A full-size piece of vellum (calf-skin) suspended on a frame and prepared ready for writing on. The pattern of the animal's spine can still be seen running along the central length of the vellum.
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The secret behind Scrooge? Research studies Dickens’ coded letters
https://le.ac.uk/news/2021/december/dickens-code
Dr Wood added: “Dickens’s shorthand consists of strings of symbols that stand for letters of the alphabet or particular words or phrases.
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Vulnerability: A Research Method for Literary and Cultural Studies
https://le.ac.uk/vulnerability-studies/vulnerable-reading
This AHRC-funded project maps a body of contemporary literary and cultural responses to cross-border vulnerabilities in North America, focusing on intersecting crises of gender and race-based vulnerability, such as femicide and violence against Indigenous people.
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Hidden Stories book launch celebrates Leicesters and Glossops Deindustrial Past
https://le.ac.uk/news/2015/march/2018hidden-stories2019-book-launch-celebrates-leicester2019s-and-glossop2019s-de-industrial-past
The AHRC-funded ‘Affective Digital Histories: Recreating De-industrial Places, 1970s to the Present’ project team will present an evening of original poetry and prose tomorrow (Tuesday 31 March) from 6:00pm at Phoenix Cinema and Art Centre, Midland St.
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Irish in Britain exhibition
https://staffblogs.le.ac.uk/socscilibrarians/2024/03/26/irish-in-britain-exhibition/
Posted by Andrew Dunn in Social Sciences and Humanities Librarians’ Blog on March 26, 2024 Created by London Metropolitan Archives, an online exhibition and oral history of Irish migration to Britain since the 1970s.
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DWL celebrates LGBT+ History Month
https://staffblogs.le.ac.uk/socscilibrarians/2023/02/10/dwl-celebrates-lgbt-history-month/
Posted by Andrew Dunn in Social Sciences and Humanities Librarians’ Blog on February 10, 2023 The University Library is displaying 6 flags during LGBT+ History Month.