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  • Post-War British Popular Culture

    Module code: HA3475 This is a module on the history of popular (visual) culture in Britain since 1945 – including cinema, television, comics and popular fiction.

  • Post-War British Popular Culture

    Module code: HA3475 This is a module on the history of popular (visual) culture in Britain since 1945 – including cinema, television, comics and popular fiction.

  • History of Italian Cinema

    Module code: IT2012 This module offers an introduction to the history of Italian cinema throughout the 20th century. You will explore the work of selected directors and key texts, and will learn to place them in their historical context.

  • Approaching Ancient Evidence (Greek)

    Module Code: AH1008 This module is the essential first step in your training as a Greek historian. Through a combination of lectures and small-group seminars, you will be taught the key skills for dealing with ancient evidence.

  • Approaching Ancient Evidence (Greek)

    Module Code: AH1008 This module is the essential first step in your training as a Greek historian. Through a combination of lectures and small-group seminars, you will be taught the key skills for dealing with ancient evidence.

  • History of Italian Cinema

    Module code: IT2012 This module offers an introduction to the history of Italian cinema throughout the 20th century. You will explore the work of selected directors and key texts, and will learn to place them in their historical context.

  • Post-War British Popular Culture

    Module code: HA3475 This is a module on the history of popular (visual) culture in Britain since 1945 – including cinema, television, comics and popular fiction.

  • Leading Through Excellence: Lessons from Teach First

    Posted by Nate in Medical Leadership in the Foundations on August 9, 2018   As an American twenty-something making a killing working in London, Brett Wigdortz might not be who we would expect to radically reinvigorate state education in England.

  • Reflecting, Revisiting, Removing: Sophie Swithinbank discusses inhabiting Waugh’s Oxford and the imp

    Posted by gboland in Waugh and Words on July 3, 2019   Endings can be difficult.   But last night’s performance at the Abingdon Arms was a jubilant, complete and perfect ending to what has been an incredible seven weeks of deep and intense focus on my writing practice.

  • Turned off at Execution Dock: Thames Scenery in the City of the Gallows. By Richard Ward

    Posted by Emma Battell Lowman in The Power of the Criminal Corpse on April 25, 2016   Eighteenth-century London has, with good reason, been called “the city of the gallows”.

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