Media and Communication at Leicester

Star Wars 50 Years: Pasts, Presents, and Futures

Conference Call for Papers

The Star Wars 50 Years academic conference will be held by the University of Leicester and the Leverhulme Centre for Humanity and Space at Space Park Leicester on 21-22 May 2027 in anticipation of the 50th anniversary of the original release of the film on 25 May 1977 in the U.S. We are now inviting proposals for conference presentations.

Conference Organisers:

Xiyuan Gao, PhD Candidate - Conference Director
Dr David Christopher - Conference Co-Director
Dr James Aitcheson - Leverhulme Centre Partner
Dr Tara Smith - Leverhulme Centre Partner
Helen Bruce, PhD Candidate - Director, Festival of Media Stories

Overview

Star Wars 50th anniversary event poster featuring iconic characters and elements from the franchise, inviting submissions for papers

Star Wars: A New Hope was first released in the United States on 25 May 1977, inaugurating a screen franchise whose cultural, industrial, and imaginative afterlives now span half a century. The Star Wars 50 Years Conference will mark the anniversary by bringing together scholars, researchers, practitioners, archivists, and fans at the Leverhulme Centre for Humanity and Space in Leicester contiguous with The National Space Centre.

The Centre hosts numerous Star Wars-themed public events throughout the year, and we will be excited to follow their developing programme with an eye to connecting their events and screenings to the conference.

Leicester and Leicestershire occupy a distinctive place in the history of Star Wars in the UK. Leicestershire was home to Palitoy, the toy company that held the coveted manufacturing contract in the UK during the original trilogy era.

Palitoy’s Star Wars figures, vehicles, packaging, and playsets remain central to British collecting cultures and to the material memory of the franchise, linking Leicestershire to the commercial and affective history of Star Wars childhoods, fandom, and merchandising. Indeed, Matt Holt’s upcoming documentary In a Landfill Far, Far Away (Spoon Jar Films) seeks to discover the so-called ‘lost toys’ from the Palitoy factory putatively buried somewhere in Leicestershire which is sure to create a scholarly buzz: 'Filmmaker unearths legend of buried Star Wars toys'.

Leicestershire’s connection to the franchise is also embodied in personnel history. The late Jeremy Bulloch, born in Market Harborough, was the first actor to perform Boba Fett in The Empire Strikes Back and Return of the Jedi, helping to create one of the most enduring and enigmatic figures in Star Wars. His association with Boba Fett further situates Leicestershire within the lived and performed history of Star Wars, extending the county’s relevance beyond merchandising and into questions of screen performance, character embodiment, cult stardom, and fan memory. Gareth Edwards, director of Rogue One also calls Nuneaton home.

More broadly, the franchise has launched or fostered the careers of myriad British performers from Sir Alec Guinness and Peter Cushing though to John Boyega, Felicity Jones, and Daisy Ridley. And so much of Lucas’s production efforts were located at various studios and locations across the UK including locations in Leicestershire.

Star Wars 50 Years invites contributors to reflect on the franchise’s pasts, presents, and futures, especially with regard to the participation of UK production inputs or international franchise phenomena, but not necessarily limited by this parameter as such. The conference welcomes papers on Star Wars across film, television, animation, games, publishing, merchandising, fan communities, transmedia storytelling, race, gender, class, politics, technology, nostalgia, and global reception, etc.

By gathering in Leicester, the conference asks not only what Star Wars has meant over the past fifty years, but also how particular places, objects, performances, institutions, and communities have shaped the franchise’s meanings across the UK and beyond.

Topics of Interest

We welcome papers on, but not limited to, the following research topics:

  • Star Wars histories, legacies, and cultural memory.
  • Directors, writers, producers, showrunners, designers, performers, and other creative workers across the franchise.
  • Star Wars and transmedia storytelling across film, television, animation, novels, comics, games, audio, toys, and digital platforms.
  • Expanded universes, canon, continuity, retconning, and the relationship between Legends and Disney-era canon.
  • Star Wars television and Disney+ distribution.
  • Star Wars animation (The Clone Wars, Rebels, and more recent animated projects).
  • Star Wars games, interactive storytelling, virtual worlds, and player agency.
  • Ethnicity, class, disability, age, and embodiment in Star Wars.
  • Feminism, female characters, creators, audiences, and female-led fan practices.
  • Masculinity, fatherhood, family, lineage, inheritance, and dynastic storytelling.
  • Queer readings, slash fandom, transformative works, and alternative affective attachments.
  • Stardom, performance, voice acting, physical performance, puppetry, motion capture, and creature performance.
  • Practical effects, digital effects, CGI, sound design, editing, and the aesthetics of technological change.
  • John Williams, musical themes, soundscapes, voice, and sonic memory.
  • Merchandising, toys, collecting, licensing, branding, and commercial culture.
  • Museums, exhibitions, archives, private collections, fan collections, and the preservation of Star Wars objects.
  • Global Star Wars: international reception, translation, dubbing, subtitling, censorship, distribution, and localisation.
  • Fandom, fanfiction, fan art, cosplay, fan films, podcasts, conventions, online communities, and platform cultures.
  • Fan controversy, anti-fandom, canon disputes, toxicity, moderation, inclusion, and community governance.
  • Nostalgia, childhood, memory, intergenerational spectatorship, collecting, and affect.
  • Science, space travel, astronomy, robotics, artificial intelligence, and the relationship between Star Wars and public science imagination.
  • Theme parks, immersive experiences, live events, exhibitions, tourism, and commercialised fan participation.
  • Archives, lost materials, production histories, oral histories, memory work, and fan-led preservation.
  • The future of Star Wars: franchise fatigue, renewal, legacy, and new audiences.

The conference is scheduled to be on-site and in-person. The submission of remote presentation proposals will be considered only under specific mitigating circumstances.

Submission Details

Individual Papers

The individual proposal shall include the following information, all in the same document:

  • A title.
  • An abstract (maximum 300 words) for a 15-20-minute presentation.
  • Speaker’s short biography (maximum 150 words), including affiliation.
  • Speaker’s email address.

Pre-constituted Panels

The panel proposal shall include the following information, all in the same document:

  • A panel title.
  • All individual abstracts (maximum 300 words each).
  • All speakers’ short biographies (maximum 150 words each), including their affiliation and email address.
  • If you wish to designate a panel chair, please indicate this in the panel proposal. Otherwise, the committee will assign one for you.

To submit, please email your proposal as an attachment (Word file preferred) to sw-conf-50@leicester.ac.uk by 1-November-2026. Please clearly state in the email subject either “Star Wars 50 Years individual proposal” or “Star Wars 50 Years panel proposal”.

Notification of accepted papers and panel proposals will be returned on or before 31-January-2027.

Conference Address

Space Park Leicester
Space City, 92 Corporation Rd, Leicester
Postcode: LE4 5SP

Contact

If you have any queries regarding the conference, please email conference director Xiyuan Gao (xg92@leicester.ac.uk) or co-director Dr David Christopher (dc435@leicester.ac.uk).

General enquiries: sw-conf-50@leicester.ac.uk

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