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  • Life and Fate: Russian Literature from Pushkin to Grossman

    Module code: EN3216 This module explores Russian literature from the early nineteenth to the mid-twentieth century. Starting with Pushkin and Lermontov, we will move later into the nineteenth and early twentieth centuries to consider Turgenev, Tolstoy, and Chekhov.

  • The Cell: An Introduction to Cell Biology and Microbiology

    Module code: BS1040 This module provides an overview of key concepts concerning ‘The Cell’ by introducing you to key principles in microbiology and cell biology.

  • Current and Future Therapeutics

    Module code: BS3059 This module provides the basic grounding in the underlying pathophysiology of human diseases, with a particular focus on current treatment strategies for a range of human diseases.

  • Screen Affect

    Module code: HA3433 The concept of affect understood as pre-subjective and relational force has become a significant theoretical tool in understanding film, video, televisual images and time-based contemporary art.

  • Digital Cinema

    Module code: HA7303 The advent of digital cinema has advanced and challenged film theory.

  • Operational Research

    Module code: MA3077 This module will focus on equipping you with the analysis skills to formulate, and classify linear and nonlinear optimisation problems.

  • Commercial Law

    Module code: LW3310 When studying this module you will learn all about the ins and outs of legal transactions involving goods. Sales vary widely in nature from the purchase of a newspaper over a shop counter, to an oil transaction worth many thousands of pounds.

  • Cross sectional anatomy, physiology and pathology

    Module code: RA2001 This module will introduce you to the anatomy and physiology of key body systems such as the reproductive and gastrointestinal etc.

  • Digital Cinema

    Module code: HA7303 The advent of digital cinema has advanced and challenged film theory.

  • Screen Affect

    Module code: HA3433 The concept of affect understood as pre-subjective and relational force has become a significant theoretical tool in understanding film, video, televisual images and time-based contemporary art.

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