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  • What can Critics of Management and Critics of Economics learn from each other?

    Posted by in School of Business Blog on February 19, 2014 Neil Lancastle, one of the School’s current PhD students, brings his experience of curricular reform in economics to bear upon the promises (and problems) of being “critical” in a School of Management.

  • Research

    Explore the Materials Centre research including their past and current projects.

  • Dyos Catalogue

    To search the catalogue of private papers of H.J. Dyos, enter the author or recipient of the correspondence in the Name box, enter a Keyword or select an option for the Category of the papers.

  • Isotope Geochemistry and Palaeoenvironmental Research

    Module code: GL3003 This module covers the general principals of isotope geochemistry, including notation, standardization, and mass spectrometry with regard to isotope research in environmental change.

  • Screen Affect

    Module code: HA3433 The concept of affect understood as pre-subjective and relational force has become a significant theoretical tool in understanding film, video, televisual images and time-based contemporary art.

  • Advice and consultancy

    The project team has completed a number of projects for clients such as English Heritage, The National Trust, architects and property owners, ranging from complete studies of the technology in a property to assessments of specific features or buildings.

  • Opportunities

    The University of Leicester has over 4,000 staff members. Learn about the opportunities and rewards available to you when working for our institution.

  • Wei Zhang

  • Creative Dissertation

    Module code: EN7044 This module represents your opportunity to research and write an independent, sustained and major piece of Creative Writing, with the advice and guidance of an individual supervisor. It is the culmination of your MA course.

  • Screen Affect

    Module code: HA3433 The concept of affect understood as pre-subjective and relational force has become a significant theoretical tool in understanding film, video, televisual images and time-based contemporary art.

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