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10032 results for: ‘GoFilm 多播放源自动采集在线影视网站源码✅项目合作 二开均可 TG:saolei44✅.QMeOlIsvxqmRsS’

  • Canadian women directors

    Posted by Andrew Dunn in Social Sciences and Humanities Librarians’ Blog on August 16, 2022 Canadian women film directors database   Compiled by Margaret Fulford, a librarian at the University of Toronto.

  • Media History Digital Library has expanded

    Posted by Andrew Dunn in Social Sciences and Humanities Librarians’ Blog on November 4, 2022 This free online resource, led by Eric Hoyt and the Wisconsin Center for Film and Theater Research p rovides free access to thousands of pages of old magazines and journals covering...

  • The GLAAD Studio Responsibility Index

    Posted by Andrew Dunn in Social Sciences and Humanities Librarians’ Blog on July 27, 2020 How good is the representation of LGBTQ characters in major Hollywood films? Find out in  the latest annual report from GLAAD  which maps eight major motion picture...

  • Earth-based observations prepare Juno for the Great Red Spot Encounter

    University of Leicester staff blogs

  • Convicts, Collecting and Knowledge Production in the Nineteenth Century

    Posted by Clare Anderson in Carceral Archipelago on July 27, 2015 In previous blogs, I have explored some of the circulations and connections that linked nations, colonies and empires, and wove together practices of punishment and penal labour across polities and imperial spaces.

  • Contemporary Mexican Cinema

    Module code: SP2035 In this module you will study four recent films, three entirely Mexican and one Spanish-Mexican co-production.

  • Contemporary Mexican Cinema

    Module code: SP2035 In this module you will study four recent films, three entirely Mexican and one Spanish-Mexican co-production.

  • Contemporary Mexican Cinema

    Module code: SP2035 In this module you will study four recent films, three entirely Mexican and one Spanish-Mexican co-production.

  • Realism and the Cinema

    Module code: HA1114  Realism and the Cinema from its nineteenth-century origins to the digitalisation of the twenty first century, cinema has drawn on the ability of the camera to give an impression of reality.

  • James Chapman

    The academic profile of Professor James Chapman, Professor of Film Studies at University of Leicester

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