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Critical Management Studies is Coming Home
https://staffblogs.le.ac.uk/business/2014/12/10/critical-management-studies-is-coming-home/
Posted by Jo B in School of Business Blog on December 10, 2014 Deputy Head of School Professor Jo Brewis briefly outlines details of the thematic streams awaiting delegates of next summer’s 9 th Critical Management Studies (CMS) Conference Martin Parker has already...
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Research degrees
https://le.ac.uk/museum-studies/study/research-degrees
Study with us and you will become part of an internationally-renowned research community. Find out more about PhDs in Museum Studies at Leicester.
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MS 210, Ethiopic manuscript, leather slipcase
https://staffblogs.le.ac.uk/specialcollections/2018/06/08/the-beast-in-me-guest-post-by-armand-de-filippo-museum-studies/dav-7/
2. MS 210, Ethiopic manuscript, leather slipcase with typed labels
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Arch-I-Scan blog Museum of London photography – University of Leicester
https://staffblogs.le.ac.uk/archiscan/2020/03/17/photographing-in-the-dark/
Arch-I-Scan project's first session of pottery photography in the Museum of London
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University of Leicester building officially reopened as Kathleen Kenyon Building
https://le.ac.uk/news/2025/march/kathleen-kenyon-building-naming-ceremony
The University of Leicester's home for the School of Archaeology and Ancient History and the School of Museum Studies has been named after Dame Kathleen Kenyon.
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Parchment used in immersive experience
https://staffblogs.le.ac.uk/specialcollections/2018/06/08/the-beast-in-me-guest-post-by-armand-de-filippo-museum-studies/dav-3/
10. A full-size piece of vellum (calf-skin) suspended on a frame and prepared ready for writing on. The pattern of the animal's spine can still be seen running along the central length of the vellum.
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Contents of display case draw
https://staffblogs.le.ac.uk/specialcollections/2018/06/08/the-beast-in-me-guest-post-by-armand-de-filippo-museum-studies/dav-4/
9. Scrapers like this were used to remove hair and fat from the animal skin used to make parchment. The scents of Frankincense, Myrrh and Lubanja are sometimes retained within the folios of a manuscript and can still be smelt if we are lucky enough to get close enough.
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MS 210, Ethiopic manuscript
https://staffblogs.le.ac.uk/specialcollections/2018/06/08/the-beast-in-me-guest-post-by-armand-de-filippo-museum-studies/dav/
5. MS 210, Ethiopic manuscript. The blank final page seems to have been used by the owner of the manuscript to record his or her own illustrated interpretation.
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MS 210, Ethiopic manuscript
https://staffblogs.le.ac.uk/specialcollections/2018/06/08/the-beast-in-me-guest-post-by-armand-de-filippo-museum-studies/dav-9/
4. MS 210, Ethiopic manuscript. The first folio contains some drawings and what appears to be a talismanic verse seeking protection from harmful forces. This may have been added by the manuscript's owner.
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MS 210, Ethiopic manuscript, front cover
https://staffblogs.le.ac.uk/specialcollections/2018/06/08/the-beast-in-me-guest-post-by-armand-de-filippo-museum-studies/dav-8/
3. MS 210, Ethiopic manuscript, front cover. The book board is only partially covered in tanned leather and has been repaired. The nature of the repair suggests it may have been made 'on the fly'.