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Addressing the museum attendance and benefit gap: inequality, representative participation and implementation science
https://le.ac.uk/rcmg/research-archive/addressing-the-attendance-and-benefit-gap
Survey data on who visits museums and decades of research in cultural sociology internationally tell us that museum visiting reflects the socio-economic gradient, closely tracking inequalities in education, income, employment, mental health and other indicators of social...
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Digital museum of Sikh heritage to mark 10th anniversary with free event at the University of Leicester
https://le.ac.uk/news/2025/october/digital-museum-sikh-heritage-10th-anniversary-event-university-leicester
A museum which showcases Sikh heritage will mark its tenth anniversary with a celebration hosted by the University of Leicester.
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Yunci Cai
https://le.ac.uk/people/yunci-cai
The academic profile of Dr Yunci Cai, Associate Professor in Museum and Heritage Studies at University of Leicester
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Contents of display case draw
https://staffblogs.le.ac.uk/specialcollections/2018/06/08/the-beast-in-me-guest-post-by-armand-de-filippo-museum-studies/dav-4/
9. Scrapers like this were used to remove hair and fat from the animal skin used to make parchment. The scents of Frankincense, Myrrh and Lubanja are sometimes retained within the folios of a manuscript and can still be smelt if we are lucky enough to get close enough.
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Contents of display case draw
https://staffblogs.le.ac.uk/specialcollections/2018/06/08/the-beast-in-me-guest-post-by-armand-de-filippo-museum-studies/dav-6/
7. Display case draw containing oak galls, inks and pigments used by medieval scribes and illuminators.
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MS 210, Ethiopic manuscript
https://staffblogs.le.ac.uk/specialcollections/2018/06/08/the-beast-in-me-guest-post-by-armand-de-filippo-museum-studies/dav/
5. MS 210, Ethiopic manuscript. The blank final page seems to have been used by the owner of the manuscript to record his or her own illustrated interpretation.
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MS 210, Ethiopic manuscript, front cover
https://staffblogs.le.ac.uk/specialcollections/2018/06/08/the-beast-in-me-guest-post-by-armand-de-filippo-museum-studies/dav-8/
3. MS 210, Ethiopic manuscript, front cover. The book board is only partially covered in tanned leather and has been repaired. The nature of the repair suggests it may have been made 'on the fly'.
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MS 210, Ethiopic manuscript
https://staffblogs.le.ac.uk/specialcollections/2018/06/08/the-beast-in-me-guest-post-by-armand-de-filippo-museum-studies/dav-2/
6. MS 210, Ethiopic manuscript. A decorated border and rubrics helped the reader to navigate the book, marking the start of a new section of text. (Red ink was often used for this purpose).
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Immersive experience installed in the David Wilson Library, May 2018
https://staffblogs.le.ac.uk/specialcollections/2018/06/08/the-beast-in-me-guest-post-by-armand-de-filippo-museum-studies/sdr/
Immersive experience installed in the David Wilson Library, May 2018
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MS 210, Ethiopic manuscript
https://staffblogs.le.ac.uk/specialcollections/2018/06/08/the-beast-in-me-guest-post-by-armand-de-filippo-museum-studies/dav-9/
4. MS 210, Ethiopic manuscript. The first folio contains some drawings and what appears to be a talismanic verse seeking protection from harmful forces. This may have been added by the manuscript's owner.