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  • Antimicrobial therapy can prevent sepsis in pneumonia patients

    Antimicrobial therapy targeting specific cells in the immune system could prevent sepsis and life-threatening disease in people suffering from pneumonia, new research led by Leicester has shown.

  • The Continuing Imperialism of Free Trade

    Posted by Chris Grocott in School of Business Blog on December 3, 2018   In this post Dr Chris Grocott, Lecturer in Management and Economic History in ULSB, discusses his recently published book, co-edited with Dr Jo Grady (University of Sheffield), on the continuing...

  • Exhibition returns to showcase research and innovation to the public

    An exhibition of the current work of our research community will be on display at Queen’s Hall, Percy Gee (Students’ Union) Building, on Tuesday 5 December 2017 from 11 am to 4 pm. The Images of Research event is open to students, staff and members of the public.

  • Physics & Astronomy: Page 22

    Chasing shadows at Jupiter Posted by Physics & Astronomy in Physics and Astronomy Blog on 17 July 2020 On July 17th, 11am-4pm,   Leicester planetary scientists Dr. Tom Stallard and Dr.

  • Mayor of Oadby and Wigston views world-class research at University of Leicester

    The Mayor of Oadby and Wigston, Councillor David Carter, accompanied by his consort, Mrs Janet Carter, viewed first-hand the world-class research into neurodegenerative diseases at the University of Leicester.

  • Victorians: from Oliver Twist to The Picture of Dorian Gray

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  • Victorians: from Oliver Twist to The Picture of Dorian Gray

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  • Victorians: from Oliver Twist to The Picture of Dorian Gray

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  • Leicester doctor and researcher listed in Forbes ‘30 under 30’

    An infectious diseases doctor at Leicester’s Hospitals has been listed as one of Forbes’ ‘30 under 30’ in Europe in the field of Science and Healthcare.

  • Our current exhibition ‘Joe Orton in 1964’

    Posted by Margaret Maclean in Library Special Collections on June 3, 2014 When Joe Orton’s play Entertaining Mr Sloane was performed in the West End in 1964, it provoked both virulent criticism and glowing praise – he enjoyed both in equal measure.    The critic W.

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