Search

21080 results for: ‘%s’

  • Chaplaincy to the University of Leicester

    The University of Leicester's Chaplaincy is a welcome place for students and staff of all faiths and none. The team offer advice, support and host a wide range of events.

  • Nikon C1Si Confocal microscope

    Find out more about the Nikon C1Si Confocal microscope we have in the Advanced Imaging Facility.

  • The Future of Work

    Module code: MN1013 We are living through a revolution in the world of work.  The main forces of change, such as automation and globalisation, have been building for several years and appear to have accelerated after the COVID-19 pandemic.

  • The Future of Work

    Module code: MN1013 We are living through a revolution in the world of work.  The main forces of change, such as automation and globalisation, have been building for several years and appear to have accelerated after the COVID-19 pandemic.

  • People

    Browse the people associated with the Simulation Centre at Leicester Medical School, including Mr Robert Davies, Miss Marianne Elloy and Professor Liz Anderson.

  • Social Worlds in 100 Objects, Themes and Ideas

    Discover more about the Social Worlds project at the University of Leicester.

  • Stanley Burton Centre for Holocaust and Genocide Studies

    The Stanley Burton Centre for Holocaust and genocide studies was founded in 1990 and its mission is to conduct research into the Holocaust and related issues.

  • The Hopkinson Group

    Led by Dr Richard Hopkinson, the Hopkinson Group is a collective based within the Leicester Institute of Structural and Chemical Biology (LISCB) and the School of Chemistry at Leicester. Learn more about us.

  • Approaching Ancient Evidence (Roman)

    Module code: AH1009 What types of evidence do ancient historians have to work with? Who were the potential audiences for works of history, poetry, graffiti, comedy, oratory etc.

  • Approaching Ancient Evidence (Roman)

    Module code: AH1009 What types of evidence do ancient historians have to work with? Who were the potential audiences for works of history, poetry, graffiti, comedy, oratory etc.

Back to top
MENU