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  • Advanced Synthetic Methods

    Module code: CH4202 During the course of your time here at Leicester, you would have explored various synthetic methods of obtaining products. In this module, you'll build upon this, examining more advanced techniques and methods.

  • Dissertation

    Module code: GL3101 In a topic that interests you, you'll write a dissertation that investigates our present understanding and uncertainties about this topic.

  • Great Greek Monuments

    Module code: AH3082 This module examines the social and political back-stories to the monuments set up in the Greek world.

  • Mathematical Physics 2

    Module code: PA2710 The module builds on the mathematics covered in year 1, and continues to develop the mathematical techniques that are necessary in many areas of higher level physics.

  • Caroline Upton

    The academic profile of Professor Caroline Upton, Professor in Human Geography at University of Leicester

  • Embracing Diversity at Leicester

    At the University of Leicester, we are committed to ensuring that all our students and staff feel welcomed, valued, and empowered during their time here. Read our Embracing Diversity at Leicester guide.

  • Mathematical Physics 2

    Module code: PA2710 The module builds on the mathematics covered in year 1, and continues to develop the mathematical techniques that are necessary in many areas of higher level physics.

  • Great Greek Monuments

    Module code: AH3082 This module examines the social and political back-stories to the monuments set up in the Greek world.

  • Greek and Roman Art: Ancient and modern contexts

    Module code: AH3062 In this module we will investigate past approaches to art from the Greek and Roman world and explore how our understandings of classical art have developed. We will pay particular attention to the physical and social contexts of this art (e.g.

  • Environment and Development

    Module code: GY2151 Environmental change and issues of ‘development’, aid, migration and poverty alleviation are everywhere in contemporary media stories.

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